备注: 类型:韩国剧剧情,言情
地区/年代:英国/1964
主演:德克·博加德,汤姆·康特奈,莱奥·麦凯恩,巴里·福斯特,彼得·科普利,詹姆斯·维利尔斯,杰瑞米·斯宾塞,Barry Justice,Vivian Matalon,基思·巴克利 ,James Hunter,Larry Taylor
简介:ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.
备注: 类型:韩国剧剧情,言情
地区/年代:英国/1964
主演:德克·博加德,西娃·科丝西娜,罗伯特·莫利,莱奥·麦凯恩,罗杰·德尔珈朵,德里克·福德斯,Amanda Grinling,Noel Harrison,Philo Hauser,约翰·琼金,格尔坦·克劳伯,约翰·勒·梅苏里尔,吉尔·梅尔福德,德里克·尼莫,理查德·帕斯科,埃里克·普罗曼,阿兰·提尔文,理查德·弗农,布鲁克·威廉姆斯,诺曼·伯德,弗兰克·芬莱,哈丽特·梅丁,William Mervyn
简介:UnemployedCzech-speakingwriterNicholasWhistlerthinkshe’sgotajobvisitingPragueforabitofindustrialespionage.InfactheisnowintheemployofBritishIntelligence.HisprettychauffeuseonarrivalbehindtheIronCurtain,ComradeSimonova,isherselfaCzechagent.Justaswellshe’simmediatelyattractedto007’sunwittingreplacement.
备注: 类型:韩国剧剧情,言情
地区/年代:英国/1966
主演:保罗·斯科菲尔德,温蒂·希勒,莱奥·麦凯恩,罗伯特·肖
简介:电影改编自真实历史事件。故事发生在十六世纪,国王亨利八世(罗伯特·肖 Robert Shaw 饰)爱上了名叫安妮(瓦妮莎·雷德格瑞夫 Vanessa Redgrave 饰)的女子,他想同王后离婚,却又碍于世俗道德的制约。亨利八世找到了大法官托马斯(保罗·斯科菲尔德 Paul Scofield 饰),他要求托马斯在离婚法令上签字,企图以托马斯的德高望重来减轻自己的负罪。 托马斯一生光明磊落,国王的无理要求令极富正义感的他十分困扰,因为他明白,拒绝国王的人注定不会有好下场。在内心良知的引导下,托马斯贯彻了自己的原则,他拒绝签字并辞去了官职,可即便如此,正直的他也最终未能逃脱死于非命的厄运。©豆瓣
备注: 类型:韩国剧剧情,言情
地区/年代:美国/1980
主演:波姬·小丝,克里斯托弗斯·阿特金斯,莱奥·麦凯恩
简介:一次意外中,艾米丽(波姬·小丝 Brooke Shields 饰)和理查德(克里斯托弗斯·阿特金斯 Christopher Atkins 饰)流落到了一座孤岛上,面对凶险的大自然,他们必须为自己开拓一片赖以生存的环境。好在岛上的物资十分的丰饶,两人的生活上不成问题,只是在偌大的天地间,茕茕独立的孤独只有两人自己清楚。 获救之日遥遥无期,艾米丽和理查德却早已习惯了岛上闲散安逸的生活。孤男寡女,奇妙的感情慢慢的拉近了两人的距离,不久之后,艾米丽生下了一名男婴,为两人的生活又增加了一份快乐。救援队的不期而至打破了这世外桃源般的生活,在和救援人员进行了交流后,两人发现,他们早已不适合再生活在文明社会之中,两人决定留在此地,永远的生活在他们的伊甸园之中。