备注: 类型:韩国剧剧情,言情
地区/年代:美国/1969
主演:乔治·席格,罗伯特·沃恩,本·戈扎那,布拉福德·迪尔曼,E.G.马绍尔,彼得·范·埃克,汉斯·克里斯蒂安·布勒希,海因茨·莱纳克,约阿希姆.汉森,索妮娅·齐曼,Anna Ga?l,Vít Olmer,博·霍普金斯,Robert Logan,马特·克拉克,Steve Sandor,弗兰克·韦伯,Richard Münch,昆特·迈斯纳,鲁道夫·耶利内克,Fritz Ford,Rolf Jahncke
简介:网上关于这座桥的历史资料不甚详尽,关于影片的介绍更是简单的可怜,在看过的一些历史记录片中对这座桥大多也是寥寥几句带过——可是,希特勒曾说过这样一句话:“有两个“桥头堡”决定了我们德国的命运,一个在诺曼底,而另一个在雷马根!” 《雷玛根大桥》(Bridge at Remagen)——美国米高梅公司1969年拍摄;导 演:John Guillermin ;主 演:乔治·西格尔、本·吉扎拉、马歇尔等;片长115 分钟。 作为艺术作品,这部故事片加入了不少虚构的人物和情节,内涵相当丰富,想来许多朋友都已看过,国内还有译制版本,在下不多啰嗦...... 只是想为同样对这座桥或这部影片感兴趣的朋友提供些参考! 雷马根大桥被美军占领,“如同一把手术刀,在德国人的莱茵河防线上切开了一道口子!”河对岸镇守厄尔波尔镇的100多名德军工兵发起了自杀式的冲锋,几乎全部阵亡!...
备注: 类型:韩国剧剧情,言情
地区/年代:捷克斯洛伐克/1962
主演:Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan
简介:InthetimeofCounter-Reformation,amillerandhissoncomeunderinvestigationbyapriestoftheInquisition,whenrumorsspreadthattheirprosperitycomesfromworkingwiththeDevil.TheDevil’sTrapisafilmdirectedbyFrantišekVlá?il,basedonanovelbyAlfrédTechnik,adaptedbyFrantišekA.DvorákandMilošKratochvíl.ItwasthefirstofthreehistoricaldramasthatVlá?ilmadeduringtheCzechNewWave(technicallyheisn’treallyapartoftheNewWave,howeverthesefilmsweremadeduringthesameeraofartisticfreedom),precedinghismorewellknownMarketaLazarová(1967)andValleyoftheBees(1968).Setinthelate16thCenturyduringtheCatholicReformation,intheMoravianKarst,situatedinwhatisnowtheEasternCzechRepublic,ittellsthetaleofamiller(VítezslavVejrazka),andhissonJan(VítOlmer),whocomeundersuspicionandareinvestigatedbyaJesuitpriestoftheInquisition(MiroslavMacháchek),whenrumorsofwitchcraftarespreadbythelocalregent(CestmírRanda),whoisjealousofthemiller’sprosperityanddegreeofrespectamongthelocalpopulace.AsexpectedfromVlá?il,thisfilmisastunningexperienceallthewaythrough.Fromtheopeningshot,anominousmanipulationofperspectivewithacloseupofamangledfigureofChristdominatingtheforegroundagainstatinyfigureinblackwalkingalongthehorizon,tothebreathtakingconfrontationalfinaleinsidethevaststalactitefilledKarstcaverns,itisawonderfuldisplayofvisualmastery.MaybenotquiteasimpressiveasMarketaLazarová,butstillfullofastonishingimagery.Asseenfromuniqueanglesanddistinctpointsofviewwhichhighlightthedirector’sremarkablesenseofawarenessofframing,motion,andpositioningontheemotionalanddramatictoneofthescene.Themostmemorablebeingarepeatedshotwherethecameraissuspendedandlaunchedwithspeedthroughtheairtowardsthemiller’sdoor.ThestoryhereisasimpleoneandIwouldsaymoreaccessiblethanhislaterworks.Withaconventionalstructureemphasizedasmuchbyitsplotandcharacters,thanbyitsexpressionisticcinematographyorauthentichistoricaldetail.Theeventsplayoutwithoutmuchsurprise,andthereisastrongunderlying,almostsupernatural,mysteriousaspectthatisleftunresolved,infactbarelyexplored,whichisslightlydisappointing,butonlybecauseit’ssofascinatingthatIwishtherewasmore.Actingisgreatallaround.Particularlythevillains:MiroslavMacháchekasthepriest,castingasinisterandimposingshadowwhereverhegoes,andCestmírRandaastheweasellikeregentbehindallthepersecution.WhileVítOlmerbringsacharismaticleadingmanpresenceinhisroleasthemiller’ssonJan,inlovewiththelovelyorphangirlMartina(KarlaChadimová),whobecomesadangerousobjectofrivalrybetweenJanandotheryoungmenofthevillage.ThefilmalsofeaturestheevocativemusicofZden?kLiška(perhapsthemostprolificcomposeroftheCzechNewWave).InthishissecondofelevencollaborationswithVlá?il,hiscompositionsareusedsparingly,buttogreateffect,complimentingbutneveroverpoweringascene.Thebestexampleofwhichcanbeheardinanamazinglyshotcelebrationanddancesequenceattheendofthesecondact.TheDevil’sTrapmightnotbeamasterpiece,butitisstillastrongeffort,withafascinatingstraightforwardstoryandaglorioushistoricalsettingcapturedbeautifullybyVlá?il’sunmistakablevisualprowess.AfineworkthatwouldalsobetheperfectstarterplatetoprepareyourselfforthechallengingfeastofMarketaLazarováorTheValleyoftheBees.Itevenhasaneasytodigestrunningtime.It’sthereforepuzzlingwhythisgemremainslargelyoverlookedandignored.